The good thing regarding our ten best rock songs of the Decade is really for everybody. Whether you’re angry, you ought to keep your spirits up, anything to encourage you, or a melancholic and thoughtful sensation, you are covered with rock.

The 2010 songs address social and political problems, revisit a few of the classic films for excellent reworks of past favorites, and serve some stars.

We have highlighted actions that have overtaken the airwaves after reunification, enjoy good seconds, and some of them are just beginning to wet their feet with successful rock stars. Rock, heavy stylings, guitar-driven grit, and punk exist. There’s rock.

We’re sure you’ll love this memory journey recognizing the best songs you would have to offer during the Decade. Verify out all the playlists of Spotify and see our best rock records and best metal albums of the Decade too.

What You Want 

Evanescence brought back such a self-titled 2011 album after a long and complex gap among records, as well as “Whatever You Want” opened the charge. Taking a higher focus on the synths and drums, soon mostly on track, the song gave the guitars the most urgency and momentum. But since the powerful vocals of Lee were for many years the centerpiece of the band, the musician got the opportunity to unleash the powerful effect of becoming afraid to never dive into one’s life first. At number 7 on the mainstream Rock Songs chart, the track would finish. 

When I’m Gone

Any good groove rock ‘n’ roll and old riffs occurred? Although it may be less prominent than it used to be, Dirty Honey, the latest LA Rocker, can focus on bringing the noise to just the top of the mainstream rock chart in 2019 in “When I’m Going.” The guitar player John Notto’s undisputed hook, Corey Coverstone’s catchy beats, and Justin Smolin’s ‘walk it’ bassline provide the basis for a ‘bad man’ song from musician Marc Labelle. One’s ascent was even more incredible because during their access to number 1, the following type was an unsigned artist. 

Do Your Worst

Rival Sons have taken their 2019 Feral Roos hard work in wooded areas beyond Nashville, and this atmosphere is particularly important for “Your Worst” opening song. It makes it sound like such a blues garage-rock track, fermented in the smoky whiskey barrel of Tennessee with fleeting crisp and riffs vocals. While reaching the top of the Rock Song chart and becoming a frequent radio, its vintage sound stood out against many contemporary high-performance rock hits.


Fozzy isn’t a positive story overnight. After the first stage of her life started with more metal beginning to lean, the band caught up with rock radio and in 2017 earned their break-off hit “Judas.” Chris Jericho is standing for tension building, bridging the anthemic chorus with a more hypnotic entrance while Billy Grey and Rich Ward are offering heavily muscled guitar riffs to pull the listener. The track is still the most significant track on the mainstream rock chart, peeping at number 5.


A long way from his iconic work in the U.K. Frank Carters’ work with The Rattlesnakes is seeing him as among the most vital voices in British Rock, and yet maintaining a feeling of darkness. Gallows. “Lullaby” is a rocker with such a widescreen chorus and a significant amount of groove asked to take from Modern Ruin LP 2017. “Lullaby” is a track monster. Anarchic, Afraid, and armor with a ferocious edge.


The Glorious Sons of Canada had been on Young Beauties & Fools album almost when they offered to give a radio shot for a song more, but it turned out that this was worth it. “Orchestrate. Their break-out on the US airwaves, overlooking the mainstream rock chart. Although the band sings about the worst situations, the mood light as well as music remain unbelievably attractive. There was never such a nice downward spiral.


“Maybe” by the Sick Puppies might be the song for you, but if you’re going to look for anything elevating to cause a change in your life. This incredibly wonderful mid-tempo rocker has been the band’s very next big single from the Decade and its third single off the Tri-Polar album. Their text was that they didn’t fear to try anything else. The song is most successful in Billboard Alternative Songs chart, reaching a peak at No. 6, as well as in Mainstream Rock No. 20 & Rock Song chart No. 15.

Revolution Radio

“Revolution Radio” is a spiking dose of its classic Punk Day excellence that the fans have just grown to accept of the trio. Three minutes are a rolling explosion of anguished pop-punk, lyrical to our age of “anti-social media,” this music shows a band willing to grow old gracefully while maintaining a connection to the disguised roots. Long live the revolution!


Mind health was a common topic in rock the last year or two, but many tracks don’t create much more reaction as the “Ghost” of Badflower. It was released months after its debut album, OK I’m Sick, as well as the track places the band mostly on the map as just a good rock and roll but also as a song with such an inspiring lesson. The lyrics were also likely its most captivating song on the album, so they become very informative about the expertise of its subject to mental illness and would like to lose their suffering — at the give up of the day. The shock element is a bit graphic, but so the melody is a mainstay in the live set of the band.

In the End

Mostly on the rock scene in the middle of a rising tide of hype, Andy Biersack and others were seen by many as the supposed successors of My Chemical Romance’s theatre tronor, Black veil Brides made his second album Set the World on Fire. Those who were missing, even so, a creature single with such a simple cross-over call, until “Throughout the End,” the leading single from its wretched as well as divine of 2012, dropped: the story of the wild ones. The Black Veil Brides were born with a stratosphere solo, huge chorus, and attitude like carpe diem.